The Thing about Art (and Artists)

This scene is based on a view near Halls Harbour NS. It’s a beautiful scene of the old house house contrasted with brilliant musk mallow flowers. Available on my Etsy shop. Please click on image.

‘Just read someone’s heart-felt, out-pouring lament about the despair that sometimes seems to cloud over artists.

To be honest I identified with what this woman was saying. All her life she wanted only one thing and that was to be recognized for her art.

The problem seems to be less with ‘money’ as  she says, but a lack of recognition and understanding among family and peers as to her ‘being’ an artist.

Also she says she only started showing her art when she was 48 years old and soon she will be turning 50. She says her “time is running out.”

On her facebook post she gets lots of comments of sympathy and encouragement. So obviously it is an artist thing. Okay I’m kind of mad at myself for thinking in a similar way at times and I’d like a good honest attack on what the heck is really the problem with ‘us’ (artists)! I’ve heard everything from creativity uses up so many ‘happy’ chemicals in the brain ( therefore leaving us depressed) to we were all just raised with a silver brush in our hands and therefore don’t know just how good we have it i.e. ingratitude.

So what’s the problem and what’s the answer?

I’m going to give it my best shot.

I want to dissect her lament (without compromising her anonymity).

First let me work backward and deal with this age thing.  These will be profoundly redundant truths but truths, none-the-less.

  1. Age is meaningless really. Most likely she didn’t start being creative when she was 48. She likely has been creating her whole life in some way; at least ‘seeing’ like an artist. We are always growing!
  2. Chances are she will actually have more time to create now that she’s 50 than since she was 16 ! Maybe not. Maybe she will have to look after an elderly parent or ill ‘child’. But if you factor in the time just spent making a living and raising kids between , say, 25 and 45 it likely took up most of her time. So a year of solid creating or painting is more time than she would have had spending an hour a week for most of her life. ( You do the math..I’m an artist, lol)
  3. She says her time is “running out”. Well I can empathize however a lot of people don’t make it to 50 and a lot more ( in our western society) are making it to 85 ! So the simple fact is WE JUST DON’T KNOW! ha ha ( maniacal laugh). So why even bother to pretend to see the hour glass that belongs to an invisible Creator? We don’t know.

Next she confesses discouragement is part of this creative life. I get what she’s saying. I’ve known (and continue to know) that too. But is it really? Aren’t there hockey players that thought they were just that good and wanted to make it to the big league but now ‘just’ coach the minors on a volunteer basis? Punch! Slam! Pow!  That must have been one big Holy Batman Bag of Hurt!

Then there’s the returning veteran who struggles with scars of night terrors and perhaps horrors that have robbed him of the very limbs he or she needs to lift a paint brush.

So maybe we are just whining and sighing and sounding like a rusty saw.

She says she finds herself often waiting and waiting (the unrung phone, the empty inbox) for someone to ask her to paint something.

Why?!

She , like myself,is looking for Permission! Seriously. What else can it be? Who can ultimately give us permission? I think you know the answer. I think I know the answer. Sometimes she questions herself  as to why  she ever wanted “it” so badly. I take that to be the issue of recognition as an artist. So that’s a whole ‘nother thing. Let’s tackle it. ( Hey I’m expecting you to comment and flesh out whatever I’m missing here).

One last thing about the age thing. Art ( the pursuit thereof) is a lifetime thing…it NEVER stops. It takes years, even decades to become proficient in one’s skills.

Recognizing recognition.

Okay so further on in the comments on her post she mentions a spouse that is “very supportive” and is able to pay the bills. I don’t know about you but this is sounding pretty ideal. In fact I confess to a space of time where my wife was able to pay the bills and I was able to paint and pursue artistic venues full-time.

Recognition is going to come in this life in one or both of two ways.

  1. You will sell your work.
  2. People will tell you in some way that they like/love your work.

Selling Out

This artist, all artists, myself as an artist has to ask one question. How far do you want to go with selling your work? Is that what this is really about I wonder?  We want the phone to ring? ” Hello, I see you are a great artist and I want to buy your work”.  GONG!  It don’t work that way. If your goal is selling out ( of stock) then it means creating, finding, marketing your work and that itself is a freakin’ full time job! Nobody is going to save your a$$. Really.

The good news is, I believe, if you’re willing to put in the time and the good Lord gives it to ya then you can make some kind of living from your work. It means uncovering a market, it means finding your niche. It means study, study, study and work, work , work. Yeah like a mad dog. That’s what it takes. It means getting a thick skin and thinking of the veteran who just took a bullet for you and stop feeling sorry for yourself

The next great news is that with the invention of the internet you can paint while listening to free podcasts and Youtube vids on everything from marketing to creating work. Listen and listen. Replay the best ones until it gets stuck in your head how to do a thing and then practice it.

Falling in Love

After you’re dead and gone and if you could be ‘a fly on the wall’ you would hear a litany of praise on how great an artist you were. People will remember and think of how YOU made them feel better. Young nieces and nephews will say ” Gee Aunt so-an-so was an artist. It means I can be one too. maybe it runs in the family”

Every time your name passes over parting lips you will be remembered as someone who had a great gift, ” a natural God-given talent”. They’ll say stuff about you that will make you smile. They won’t say “she wasted her time”. They just won’t. The few that are saying it now have their own internal,emotional crises and it’s bitter water coming from a bitter well. Why drink from it?!

Fall back in love with your work and that part of yourself which is a special gift to others. It doesn’t have to be sold to be appreciated but it can be. Just remember that creating the art and the business of art are two different things that happen simultaneously. The artist is one who gives- not gets. This giving attitude , I believe, is what it takes to get.

To Be Continued…

 

 

A Stitch in Time – How to Scan a Painting for Print

Star Wars Super 8 Cover

Sooner or later almost every artist will want to copy their work. Often a good digital camera with a great lens will do the trick shooting in diffused lighting.

However, sometime it may be more convenient to use your digital scanner to scan in the image of the print. The plus side with scanning as opposed to camera shots is that you will get an even, flat and highly detailed image. The down side is that you have to keep an eye on your scanner’s settings (are you in professional mode, what’s your dpi, etc.) and you may get too much detail ( like markings on the back of your canvas showing through). Although this is usually not a huge problem.

Once again I must say that these are the methods I use and someone else may get better results with their own techniques.

So let’s say your painting or art work is just a bit too large for your scanner’s surface. This is where stitching comes in handy.

I use Corel Photopaint and it does the trick. Other software likely offers similar options.

First you want to scan in both halves of the painting. Doing one side at a time. I use the settings on my scanner software for Photo at 300dpi and high quality prints/posters. Preview and then scan the image. If given the option to use a mask (a selective, dashed -line frame box) when choosing the area to be scan then choose to scan a hair’s width away from the outer edges of the area to be scanned. Let me clarify. Do not bring the border of the selection box to the very outer edge of the painting preview. Some scanners experience a little drop-off in this zone and you may get a slightly darker sliver of the image that will affect the quality of your final print.  I’m speaking of what you see in the selected preview of the glass on the actual scanner. So you could accommodate for this drop-off by allowing a border area left blank outside of the painting.

Okay..a picture is worth a thousand words I guess 🙂

The yellow area with the green dashed line is the maximum scan area of the glass. I have the painting positioned just a bit inside of that area. The dark dashed inner line (red arrows) is the area in which the software sees to scan. Notice I have that area narrowed a bit cutting the wookie’s face in half and not going all the way to the edge. Okay..let’s move right along.

By now you should have two separate images of high quality which you can open up in Photopaint.

Next you’ll want to crop one of the images to a smaller selection so you’ll have less image to match up and blend (above image). Do leave a little area of overlap as you can see i did for Han Solo’s gun.

Above: The cropped image.

 

Above: Under Image select ‘Stitch’

Above: Now select ‘Add All’

A new screen appears and using the select pointer tool you can ‘grab’ one of the images and match and blend. I have the blend image setting at 5.

Above: A close-up view ( you can zoom in to get a better match up) shows where the two images blend. Now just hit enter and a new solid image will be created from which you can manipulate or save as different files and sizes.

That’s about it. Hope you find that helpful. Check out my design page for further designs. Thanks for stopping by!

Kevin

 

 

The Top Five

Hey,what’s your guys’ take on self-improvement? I’m definitely for it. There is a ‘but’ though. Have you heard of the “Top Five”?

Recent history has given us a plethora of self-ordained life gurus that appear plastered especially across social media. From Youtube talk shows to tweets and posts all telling us how to be a better person and get the good life. Is this where I become Debbie Downer? Ah, no. Maybe I’m being just one more opinionated self appointed life coach. Ah, no.

I’m coming at this as an artist and as just an ordinary human being.

Who are  the ‘Top Five’?

No. 1 Winter Chicadee. Acrylic on Canvas. K.Cameron. This was a break-through moment for me in painting. I studied the works of artist Rod Lawrence

Well for the past few years there has increasingly emerged this idea that we are only as good as the top 5 people we spend time with. ( pause for delayed shock effect)

This showed up in one of the online courses in art that I took and seems to keep popping up everywhere. If you want success and a better life then hang out with 5 people better than you. What’s even more amazing is the likes and hearts and other agreeable emoticons that applaud this thinking. Wait now. Hold on. Isn’t your Spidey sense tingling ?

First lets set aside the notion that higher ethical standards demand we stay with an abusive spouse or be nice to the psychopath that wants to stab us in the back (literally or metaphorically).  Nobody is saying we have to let our guard down and invite danger into our inner circle of sanity. Nobody is saying that we have to pull over and help a person broken down on the interstate which could be just bait to lure us in. Call the cops. They are ( presumably ) trained for that sort of thing.

Also I’m not saying we an spend an exhaustive amount of time with ‘exhaustive people’ that drain us of energy. Everyone has a bad day once and awhile. Everyone gets in a bad place periodically.

A recent study (sorry-no link) showed that surrounding yourself with only agreeable people as staff or in business actually could undermine your success. Why? Because a discordant voice can help us see a different perspective that may avoid a pitfall for which the business is headed.

No.2 TV Dinner Acrylic. K. Cameron For me this one has a special place and I truly felt ‘possessed’ by it when painting. It reminds me of the fun times we had watching TV shows when growing up.

True story.

My father, when I was young, once stopped for a dishevelled hitch-hiker/homeless person and gave him a lift to our home. He invited him to supper for which the vagabond traveler accepted and in a twist of bizarre life-is-stranger-than-fiction moment actually ended up serving us our tea at our table!  The glances my brother and I shared form across the table. hmmm

My heart is not as pure as my father, I’m sure. Besides he did come from a different time and place where travelers were welcome at the supper table no matter their status in life.

No.3 Peace. Lockeport Beach NS. After a very restful week renting a cottage on the beach this painting ‘happened’. It’s a favourite of mine and many others.

So here’s the thing. What if you‘re the one who is not part of the  Special Five. What if you end up with the Dirty Dozen instead? What happened to “Do unto others as you would have done to you” ? What about “ “The King will reply, ‘Truly I tell you, whatever you did for one of the least of these brothers and sisters of mine, you did for me.’ “?

What happened to the principle of reaching a hand down to give someone a leg up? They say “What comes around, goes around…” Maybe you or I will someday need the hand up. Should we be so set on refusing it to others or worried that we are in with the top five income earners and the most positive people we can find?

N0.4 Star Wars Super 8 Cover. Acrylic on gallery wrapped canvas. A special gift for my son.

I don’t know how you feel but I certainly don’t want my flag of victory and success  to be raised atop a virtual mountain of skulls. What win is that? In my book, art or otherwise, it’s a loss.

 

No. 5 Old Tree. Thinned oil on canvas board. This was one of my earliest paintings. If you read the post..you’ll understand. 🙂

Once again, thanks for visiting my blog and feel free to comment below.

 

We Can Rebuild Him or something like that. :)

 “Better,Stronger, faster…” I’m not sure about better and stronger but this was definitely one of the fastest design and paint jobs I’ve done for commission !

About 3 days before a visit from brother ( who lives in the States ) he asked me if I had any paintings ( for sale). Well yes I did in a way but I wanted to give him something that would have more meaning between the two of us…you know, something special.

So I thought of this old show called The Six Million Dollar Man starring Lee Majors. My bro used to have the action figure and a lot of the accoutrements . There was hardly even the time for a thumbnail sketch and the final design was basically done in my head and on the fly. I knew I wanted the ‘Bionic Man’ closeup in the center with the rocket to the right and the space X-plane in the upper left. In there somewhere was to be his old corvette and the cardiogram-like analog pattern.

So we were to meet Saturday at my Mom and Dad’s place which is about a 2 and a half hour drive from where I live. By about Friday morning I thought I was never going to get it finished. Just too much work and too little time. I got pretty down about it and felt defeat looming over my shoulder.

I managed to push myself and not give up (which I was really tempted to do).  At 10 pm Friday evening I had one coat of matte finish applied to the whole thing. I did a second coat really early Saturday morning and let the painting finish drying in the back seat of the car.

My brother was very pleased and surprised having not expected the nostalgic memento. I must admit that about half-way through, whether it was a kind of exhaustion setting in or pure adrenaline I, myself got emotional during the process. As one ages, I guess, tears become an oft expression of deep joy rather than sorrow sometimes. I am thankful for the family I have now and the one I had then, so to speak.

Just like the Bionic Man the painting was made from available components so here’s a photo of most of what it took to paint “We Can Rebuild Him”.

Thanks for visiting and we’ll see you around sometime!

It’s Never Too Late ( to do what you love)

Over the Moon

Timing is a funny thing. In fact where I live the time just went ahead 1 hour (Daylight Saving Time) . Not sure if that’s relevant but just more coincidental to this post.

Do you find ( like me ) that you think a lot about whether it is best to do a thing when you feel like it or to just discipline yourself to grind it even when the feeling is not there?

Honestly I think it is a bit of both. Moderation is a word that I often feel is limiting. I mean, don’t you feel that a Yes or No or either this or either that is the answer you really want?

When it comes do doing something you love, like creating art, etc. it seems  we want it both ways. I’ve often heard other artists say ( myself included wholeheartedly) that ” Today I’m just not feeling it!” That is to say that if I don’t feel like creating something right now I should walk away from the  easel. Ever notice how this occurs usually on your day off or time set aside to actually do your art!!?

 Here’s the thing… I think both approaches are okay. I think that there are times in the scheme of things we need to go for a walk, split some firewood or take a trip. Other times ( maybe more often so) we need to just pick up the brush ( both metaphorically and actually) and lay down some paint with no idea where this will take us.

The best thing is to avoid guilt. Guilt is not a good motivator. Habit can be a good motivator ( GM), Feeling Euphoric can be a good GM, a Kick-in-the-Backside ( both metaphorically and  actually) can be a good GM. maybe a good BM could be a good GM..no, scratch that 

Guilt never works. When we say we were guilted into it then it never ends well. There are other ways to force ourselves to do what we love. It is ironic one would have to say that :”Force” ourselves.  I mean by concentrating on the small picture or doing that first small step. The idea that I can pour a drop of paint on the palette and play around with it and then draw it on the canvas…squiggling a line from left to right, top to bottom. That sometimes does the priming right there and the creative spark begins to work. Other times a grand vision  of mural proportions energizes us to create all things great and small, all things bright and beautiful…

Sometimes for my own pleasure I like to play my drums/bongos. There are times I’m not feelin it but when I  sit and tap out a rhythm to a tune  I like and in that weighted moment my spirit seems to rise with the music and often ends after an hour of enjoyable percussion.

Whatever occurs remember it is never too late to start again to do something you love. Never. You may have to scale back for health reasons or the demands of life put upon you but say to yourself that the promise of the rising sun is that you have this one more moment which is clean and bright like an empty canvas waiting for it’s next conscription.

And if you work at night then let the moon and stars inspire you.

The Encouraging Voice

theencouragingvoice

Caricatures I did of the cast of Casablanca

If you listen you can hear it (them).

It’s no surprise that we have voices in our head.

After all the brain is a huge memory bank as well a processor of ideas and actions. Some of them become voluntary and some involuntary- which makes sense. Who wants to tell their stomach to churn the food you ate and to add all the necessary acids and hormones to do their job. The brain assigns jobs that we are not consciously aware of.

thebrain

I remember seeing a TV show or movie years back that opened with the scene of a man being thrown into the water after being wounded in a car chase. At least that is what my memory bank tells me.

The screen showed a man being plunged deep in the dark waters and you could hear his thoughts.

They went something like this as he told his brain and body to prepare for survival:

“Heart- Slow to 40 beats per. min. Lungs- maintain oxygen levels and exhale slowly, etc”

You get the picture.

The hero of the show was controlling his thoughts to improve his chances of survival.

Maybe it’s fiction..but…hold on. Do you hear the voice(s) in your head?

What are they saying as you attempt to go about reaching your goals?

Often times we pick up the negative, critical voices that surrounded us from our youth. I know I have. We too , may be saying words that hurt others and we’re not aware of it. 

We use those harsh words, backed up by our respect for authority figures ( teachers, parents, that aunt or uncle, etc) to twist together a long whip with barbs and bone. We then get in the habit of whipping our own selves with it mentally.

 

Those harsh words we have owned and put our own personal stamp on them. They become our words, our thoughts. ‘Not going all Spock on you here but you hear what I’m saying, right?

We chose to believe them.

Sure criticism is good. It helps us survive and helps us learn. However we can dwell too much on words that do not carry us forward to our goals.

Once we realize that the thoughts we think are our own choice we can begin to bring correction to our direction!

This is the starting point. We can try all kinds of external influencers but when it comes right down to it we have to change, sometimes slowly and with practise, our habit of thinking and self-talk.

Image from blog "What Shih Said"

Image from blog “What Shih Said”

Be mindful of what you are telling yourself. Is it wise? Or is it harming your ability to take action and embrace change and succeed at your goals?

“Brain- You can do this! Heart- You’re large enough for this task. Lungs- take a deep breath and Go For It!!”

Thanks for visiting. Drop a line if you like 🙂

 

720’s, 360’s and 1080’s

Swirl Cat Vortex

From a new series of acrylic paintings of mine which I haven’t named yet. :^)

Does anyone remember VHS ?  Hello. Helloo (echo).

VHS was a format used for taping and viewing movies. We still have  a trunk full of ’em kicking around here somewhere. (A copy of Babe and some John Wayne movies popped up here recently during a cleaning spell.) They were small tombstone sized cassettes with literal *magnetic* tape wound around two spools. Sounds pretty ancient, hunh? Cool stuff for so-called Millenial’s to rediscover.

The thing about VHS tapes is that they were definitely low res. That’s techno-speak for blurry and out of focus. Back then my eyes were good; and real sharp. You might say they were high def . That’s techno-speak for sharp and focused; like knobs and buttons that used to be included on electronic equipment.

vhsappreciate

As a visual artist I really do appreciate technology. Now as my eyes need to be dressed with varying thicknesses of glass in order to focus on the work at hand I can be very grateful for the sharpness of DVD and Blu-ray. As my eyes get weaker the picture has gotten stronger. The monitors boasting of 1080 p resolution are also a bonus. I think if I were to watch a VHS movie today without glasses it would seem more like a watercolour impressionist painting that was left out in the rain.

This is where art comes in, say, as in painting ( or sculpture, music, etc). I’m not sure technology has really improved upon the experience of viewing art. Some art-works take weeks or even some,years to complete; all to be consumed instantly on social media and passed over faster than the index finger can respond from eye-to -nerve-to-brain and back again…or something like that.

nothingcompares

*Nothing compares to seeing real art in real light! Paintings that are designed to be viewed bathed in natural light are shared on back-lit unnatural canvases  (called monitors).

For many years I followed the stars and night skies on National Geographic pages and Astronomy books. The pictures and artist’s renditions captivated my imagination. But one day , late in my teens, I acquired my first reflector telescope.  The nights were bitter cold, unlike the reading chair by the fire but the view..my gosh..the view sent a different kind of chills up my back.!  To know that the light I was seeing from distant Saturn was, although non-instant,  directly coming to me!  There was no electronic mediator between me and God.  I now had a much more direct connection with that far off planet in space.

If we rely only on our screens for the experience of art we do ourselves and our progeny a great disservice. I love technology. It has brought the world closer together and helped in so many ways. However when it comes to seeing art we need to do a 360 and see it in natural light with our natural eyes. The experience is so different and so compelling that it is the reason why many have travelled great distances, say to the Louvre, to see for themselves what great things were done.

Perhaps you and I can’t do that. We can go across the street to the local cafe and connect with the artist there. We can look at our child’s art-work…I mean really look at it in reverential silence before hurriedly posting it online among a million stars that twinkle and fade in the wink of an eye.

Thank you for visiting. Please leave a comment or drop a line.

*More about real light: ” …but Kevin, ALL light is real light and even gallery light(s) are artificial!” I know. Though if you think about it you’ll agree that most non-pixelled art is created with light descending on it rather than from behind. Recreating that original condition is what I mean by ‘real’.

Creating a Children’s Ebook

Childrens book

In this post I’m going to give you some idea of how I approached creating an ebook from artwork I had created about 20 years ago!

The above picture is an actual page from the book with my added copyright. The book was painted on 11 x 17 in. sheets for double spread pages and 8.5 x 11 for normal full pages.

This post will not deal with the uploading of images to Kindle book creator. This is fairly easy once you’ve determined the correct size for the pages you upload. Perhaps that will be for another post.

The first step , of course, is to write out your story. Once you have your concept you can start to write while keeping in mind possible images that might correlate. You may need to edit words and dialogue when it comes to placing it on your image due to space restrictions. In other words as you draw each page it is important to keep in mind that you will need space for text.

Children's Ebbook Drawing

Since it was 20 years ago that I created this book I do not have original photos of the process. What I have done is set up pics to give you some idea of how to go about it.

You can of course use all computer generated images.  These, however , are the actual pages I drew for the book on both 8.5 x 11 and 11 x 17 paper. This was before private access to the internet and it is exciting to know that the book can be preserved in a way and it’s message made available

Acrylic wash on cold pressed 140 lb paper was used for the final painting.  Tubes of acrlic paint were used and the paint was applied in washes much like that of watercolour. The benefit of acrylic paint is that it can be added in layers without disturbing the original coat of paint ( unlike watercolour ).

Begin by cutting your watercolor paper to the required size. Some folks like to pre dampen and stretch the paper to keep it from buckling as it drys. To do this ( I have no pics) you tack  or tape your paper to a wooden piece of plywood or better yet a board ( which will have no stains or glues ). You can pour or use a large wash brush to apply generous amounts of water to your paper and let dry. Turn it over if you wish and do the same for the other side. Let the paper dry.

childrens ebook page

Take the original drawings like as above and flip them over. These are the drawings you drew with 2h and HB pencils. Flip them over like this:

ebookbridgeback

Holding them up to the light by taping them to a well back lit window OR using a light box begin shading in all areas on the reverse side with a 2B ( soft) pencil. You only have to shade areas where there is drawing or lines. You are making a negative transfer as you would use carbon paper ( this dates me I know, ha).

Now place the drawing directly over your watercolor paper. Use some blue low-tack tape to make 2 hinges at the top so you can flip the the drawing page up and down if you need to to see if the transfer is working. But don’t do this often as it could mess up and misalign the drawing. It works like this. Take a dull ( not blunt) F pencil to trace over all your lines. Press down firmly as you trace but not so hard you tear through your paper , of course. When you are done you will have a light transfer of your drawing onto the watercolour paper.  You can now begin painting in your colors using your brushes loaded with thin washes.

Using acrylic paint washes to create a Children's Book

Using acrylic paint washes to create a Children’s Book

You may find that a bottle of frisket mask may come in handy if you want to keep highlight areas white; as in snow flakes , for example.  The frisket is a liquid rubber that can be painted on or applied to areas you don’t want your paint to color. Wait for it to dry first. Next paint over it. Later with a clean thumb or erasure you can rub it off exposing the paper substrate. You’ll find a convenient tool but not to be overused.

ebookmainpage

Sometimes, as in the painting above, you may find as I did, that you were not pleased with your first result. If so then prepare another sheet of paper and begin again. You may want to shade over your original transfer drawing  a little since some of the 2B pencil may be less impressionable after the first use. Savvy?

In the drawings above the first attempt (top painting) seemed to come out with harsher gradations. I was more pleased with the bottom result.

The last step is to acquire a good quality flatbed scanner and and with your photo software scan the paintings into your computer. For the large paintings you can scan as two parts and use your software ( such as Photoshop or PhotoPaint ) to stitch them together. If this part is beyond your level of expertise then find someone who can do it for you.

scannerebook

As I said , technology can be rather exciting!  A 20 year old Children’s Book has been given new life in the cyber-world.

If you’re interested the book is about self worth and it is available from Amazon. The Kindle format is free to download and makes your work look quite beautiful.

Again, thanks for stopping by and visit often or drop me a line.  Have a great day!

Day Late but Always Remembering

For Remembrance

For Remembrance

I meant to have this ready for Remembrance Day however I discovered that this cartoon which I drew years ago was never scanned in.  Originally it was just line art in Black and White and I thought adding some colour using Corel Paintshop would be a nice touch. So that took some time with masking and painting.

The cartoon is intended to be funny yet a  respectful reminder to think of the great cost that war always brings past , present or future.

Billville was a cartoon strip I drew mostly back in the 80’s and 90’s and was based on 3 cats we had when growing up as a teen. Two are shown here. Bill and Boots.

Thanks again for  stopping by!

The Old and The New

cadredhue

Having seen a review regarding Winsor and Newton Galeria acrylics that claimed that the paint is inferior I set out to see whether I should consider switching to the American Grumbacher Academy series. Galeria by W&N is now being assembled in China instead of France as it once was. My last blog post will bring you up to speed, so to speak.

Since I had some old Galeria paint and mostly new I did my own brief little comparison test. The thing to keep i mind is that my old paints are quite old and I suspect they may have ‘dried out’ some in the tube. I belive that could be  a possibility.

Overall I found the old Galeria slightly ‘heavier’ and less opaque but in my opinion , not by much. Of course some of the hues are semi-opaque and not transparent. So that could make a big difference even.

These are just my initial findings.

The actual hue displayed on the old tubes are really quite different from one another.  That makes me wonder why the change in the color on the tube labels.

winsorviolettest

With each of the few colours I tried the new ones seemed to be a bit ‘thinner’

When comparing Grumbacher  Lemon Yellow with Winsor and Newton Lemon yellow there was a noticeable difference in the weight of the paint. The Grumbacher was in my opinion heavier.

The up side to Winsor and Newton Galeria is that the new paint seemed to have a very nice even flow and would be great for acrylic washes such as I used to make my first children’s book years ago. A little shameless plug there :).

The tops or caps on the W&N Galeria have improved quite a bit. The larger mouthed caps on the new tubes seem easier to screw on and off.

lemonyellowtest

My first conclusions with the limited hues I had to try or test is that the new Galeria may be a bit inferior but it may be better for use with wash paintings ( like watercolor style). Grumbacher does seem a bit thicker. I think I will do a few paintings with Grumbacher brand, especially for the more professional endeavors. Winsor and Newton moving their product to China still just doesn’t sit well with me because from everything from tools to toys China still proves, imo, to put out low quality in favour of high out-put.

That’s it for now. Feel free to comment here even if you show up  a year later, ha. I’m sure this will be an ongoing discussion.

winsorviolettestonbrd

PS. I did try a thin wash over a penciled drawing (sun symbol) just to see if the new Galeria was less opaque. As you can see from the picture it does seem to be so!